most. important. record. ever.

I'm skipping school today, for no good reason. I am eventually going do something more productive with my time than blog (like watch the next couple of episodes of Sarah Conner Chronicles), but I've been clicking around the internets for a bit and starting reading this Pitchfork (surprise!) article about Neutral Milk Hotel's "In The Aeroplane Over the Sea". They're making this really big deal about it--they love it in case you didn't know. A while back they named it the best album of the 90's I think. (So I just double checked and it's actually #4)

Though I never listened to it when it was released back in '98, I was always vaguely aware of it. I distinctly remember seeing it featured in Columbia House ads and Spin reviewed it favourably, for these were the days when I was beholden to Spin rather than Pitchfork. It wasn't until years later that I actually heard it, and even later still when I got really attached to it while painting my bedroom with Angie. My favourite thing about it is how sad it is without ever wallowing. And the strange nostalgia that listening to it brings. And the way that something so bizarre can be so familiar.

Here are two of my favourites:

King Of Carrot Flowers-Neutral Milk Hotel
Communist Daughter-Neutral Milk Hotel

The reason I bring this up though is, in the article they have several musicians (of the indie variety obviously) talking about their relationship with the record. Several of them name-checked similarly lauded albums, and several more of them say that they didn't really like this one at first, and were afraid to admit that fact to their (presumably) indie friends. That made me think of albums that those who read this kind of pop critic stuff feel real pressure to like.

Like Daydream Nation. Sonic Youth in general actually. I tried it out, gave it a real shot, but I just don't really like Daydream Nation. I think it's a great title, it's got a great cover (that I'd imagine looks even better on a 12"), but it does nothing for me. It makes me feel like I'm missing out on something too, because my general reaction to it is just "that's so noisy". Like I'm 60 years old or something.

So I'm wondering, if anyone is reading this, about which records you SHOULD like but don't. Anyone secretly think Loveless is a mess? That Exile On Mainstreet is ten tracks too long? That Unknown Pleasures is too depressing to listen to or take seriously?